Time Code MPAA Rating: R Entertainment: +1 1/2 Content: -3

This film represents a new technological era in film-making more than any stellar plot or acting. Director Mike Figgis, shot the entire movie on digital cameras which, unlike film cameras, can record for long time periods. Thus the film was shot in real time, which means the cameras kept rolling for the films 93 minutes without stopping. Many of the lines and scenes were improvised by the actors around a loosely devised plot and included 4-5 earthquake aftershocks that occurred during filming. In another unique move, four camera scenes are displayed during the whole movie to follow and show different character views, the sound fades from screen to screen to emphasize a certain scene. The basic story revolves around a film producer and his companys new production. Salma Hayek plays Rose, a hopeful actress whos having an affair with the producer. But her jealous, current lover Lauren, played by Jeanne Tripplehorn, suspects the affair and arranges to eavesdrop on Rose as she goes for a rendevous under the guise of auditions for the new film. The film is more likely to draw curious film fans rather than major crowds. The four simultaneous screens, while unique, add to the viewers confusion.

Aside from the technical uniqueness, TIME CODE represents many degenerate factors in the film industry. Although married, the film producer is referred to as having adulterous affairs in the past. And hes shown in a graphic sexual encounter with Rose, although nudity is avoided. Homosexual activity, particularly lesbian relationships, are also highlighted as Rose and Lauren kiss passionately. The producers wife is also seen kissing another actress but leaves when group sex is discussed. Drugs also seem to be pervasive as several characters share marijuana or cocaine use. Although violence is minimized, a non-graphic shooting leads to blood seeping across the floor. And despite multiple cell phones, no one seems to know how to dial 911. The victim even pauses to answer his cell phone before dying. Even in a largely improvised script, foul language occurs frequently as if it use is expected. TIME CODE loses without a moral code.

Preview Reviewer: Paul Bicking
Distributor: Screen Gems/Sony Pictures, 10202 W. Washington Blvd., Culver City, CA 90232